By this I mean that we no more have a closed system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable it is the closed-system through which can some- how break, that is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well set up for Origami.
Avion en papier
Origami Instructions Free Online Plan also shows the results graphically of moving away from the 'purest' form of Origami in each one of the eight directions. In some cases I possess marked the art as 'open-ended', for example paper-cuts.
Uchiyama is reported as Origami Flower Bouquet getting a patent in 1908 for 'KOKO'. style origami which appears to be the same in principle. Japanese books are packed with slitting to achieve ears or a tail or even legs. Perhaps one of the most celebrated examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to offer enough points for the legs. Rohm folded his Festival pony without cuts but the technique is then far more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid the complexities Origami Crane Video of a model achieved exclusively by folding.
Kent du Pre has done such work with Symmetric figures such as stars from which flowers can be folded away. Irregular figures have appeared occasionally, but the most extreme form occurs in Paper Miracle with Rolf Harris's models. Silhouettes have no restrictions in the Origami sense and are of course carefully related to paper slicing. In its simplest form cuts are made earlier to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive thickness. The most recent talk about of the techniques is by Toshie Takahama who refers to it Bateau De Papier Chanson Hugues Aufray as Kirikomi and distinguishes it as typical of very early Japanese Origami.
Inside a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling That is now usual in animal folds to call for a final modeling particularly if foil has been used and one can make sure of the materials remaining in place. A contemporary example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3 DIMENSIONAL insists on any modelling following the folding The thought of wetting the paper appears to be Japanese in origin was demonstrated
by Yoshizawa at a Convention in Liverpool. Another method of wet moulding using paste in the preparation is talked about by Alice Gray she was shown it by Yoshizawa during a visit to Japan. The folds tend to be gentle and that we are approaching figurine rather than Origami.
Fleur en papier
The slicing out of holes and so on. to indicate eyes and so on is sometimes found in Japanese books and we are obviously coping with method which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of Avion En Papier Planeur Video paper-craft Mon-Kiri (which means crest-making). The last step in the slitting or cutting is paper-cutting, some of the finest examples are likely from China and evidently here we have an open-ended Talent. Supporting A way of moving away from the 'pure' central form is supporting or adding display mechanics to the models. In its easiest form we may use glue, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or credit card. Probably the most unusual form of 'display mechanics' that We am knowledgeable about is by Toyoaki Kawai.
Bateau en papier
The associated arts are Weaving Comment Faire Un Bateau En Papier Youtube and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. Typically the sheets of paper are folded together but usually opened at the end to show the multi-layers usually with different colours. In flower folding and possible doll-making the multi-layer strategy is exploited for its own sake with little or no folding engaged. Multi-Part Isao Honda (15) was probably the first to write techniques involving 2 separate sheets of paper each folded to represent some part of the animal and then
Comment faire un avion en papier
Within the most extreme combinations of water and paper we are, naturally , in the world of papier-mache which is obviously an open-ended art. DecoratingThe easiest step from the single colour is one side female and one white or plain. A great deal of modern Origami exploits this colour difference. The delightful example is Mary Homewood's Robin. Origami Owl Bracelet We can use the texture of our material which need not even be evade or paper. Neal Elias collects patterned foil and has shown models in 3 colours which depend after selecting the most appropriate pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design suited to an exclusive model. The end of this process is evidently the decoration of the ultimate model and so into the decorative art proper which is open-ended. Lengthening By stretching our square we obtain rectangles then bow and finally string.